Period Architecture is proud to announce that two of the firm’s designs have been named finalists in the 2026 atHome A-List Awards. The Pennsylvania Provincial has been selected as a finalist in the “Traditional Architecture (Greater than 7,000 Square Feet)” category, while the great room at the Rumson Retreat has been recognized in the “Living Space” category. Winners will be announced in September at the annual celebration honoring exceptional design in Fairfield County and its surrounding regions.
“To have two very different designs recognized as finalists is an incredible honor,” expressed Co-Founder & President Joseph Mackin, Jr. “While each is tailored to its homeowners’ desires and unique landscape, both reflect our belief that rich, dynamic places emerge at the intersection of beauty, proportion, and lived experience. We are grateful to atHome Magazine for this recognition.”
Designed to feel as though it has evolved organically over generations, the Pennsylvania Provincial blends the character of a stone farmhouse with the formality of a French manor on the interior. Its form tells a story of gradual expansion, with wings extending from a strong central mass, evoking the charm of a home that has been lovingly added onto over time. Balancing its thoughtful proportioning with pastoral authenticity, this design creates an architectural narrative that feels both timeless and deeply rooted in place.
“The design for this new home demonstrates how traditional architecture can honor multiple design influences without compromising authenticity,” remarked Principal & Marketing Director Jessica Fogle. “Every decision, from the massing and material palette to the interior detailing, was carefully considered to create a home that feels deeply rooted, highly personal, and lasting in character.”
Set within a serene four-acre coastal property, the Rumson Retreat reinterprets the enduring stone bank barns of the Northeast through a modern-day architectural lens. The barn was envisioned as a contemporary living retreat that could support both large-scale entertaining and everyday family life while remaining deeply connected to the surrounding landscape. At the heart of the barn, the cathedral-ceiling living space was designed to foster connection and shared experiences. The great room serves as the central place to gather, anchored by a monumental stone fireplace and framed by floor-to-ceiling views of the tennis court and gardens beyond.
“The Rumson Retreat illustrates how historic architectural forms can be thoughtfully adapted for the way families gather today,” articulated Greenwich-based Associate Principal Meredith Evans. “The great room design embraces the warmth, craftsmanship, and scale of traditional barns while also introducing the openness and innovation that contemporary family life seeks.”
The atHome A-List Awards recognize excellence across architecture, interior design, landscape design, and construction throughout Connecticut and beyond. Period Architecture is honored to have both the Pennsylvania Provincial and Rumson Retreat recognized among this year’s distinguished finalists and looks forward to celebrating alongside the region’s talented design community in the fall.
As long-standing supporters of the Chester County House Tour, we were thrilled to once again sponsor and participate in the Women’s Auxiliary’s annual tour benefitting the Chester County Hospital. This year was very special as our Longwood Residence was named the VIP house! Continue reading below to learn more about the home’s vibrant history and our renovation design.
LONGWOOD RESIDENCE IN KENNETT SQUARE
Surrounded by acres of quiet pasture in Kennett Square, the Longwood Residence is a storied Chester County farmhouse whose stone-and-stucco walls have witnessed nearly 280 years of changing times. Originally built in 1746, consisting of just a keeping room and one bedroom above, the home received additions in 1794, the 1960s and most recently in 2023 transforming it into the more formal country home it is today. With these milestones marked by a datestone featured on the exterior chimney, the house has served many purposes over the centuries—each chapter adding to its charm and character.
Dr. Hoobler, a well-known local doctor, purchased the home in 1963 and ran his practice from the front portion of the house in the now sunny, recently expanded family room. In 1985, it was converted into a bed and breakfast with an antique shop called the Campbell House. Owned and operated by Bill & Judy Campbell, they welcomed guests into their historic rooms filled with colonial detailing. Original features such as the walk-in fireplace, wide-plank flooring, and hand-hewn beams remain intact, anchoring the home firmly in its 18th-century roots.
The current homeowners, who enjoy collecting antiques, were drawn not only to the structure’s age and architecture but also to its layered past. Since acquiring the property, they have taken great care to curate furnishings and décor that reflect the home’s colonial-era origins. Throughout the interior, period-appropriate pieces enhance the historic millwork and timeworn textures, lending each room a sense of lived-in authenticity.
The home sits on over a dozen acres of bucolic land, where traces of its agricultural history are still visible. Just off the tree-lined drive, rubble ruins remain from a once-active stone barn that was lost to a fire in the 1980s. A concrete slab foundation, left over from the original silo, hints at the property’s working farm days. From the front porch, views of the active cornfield stretch toward the horizon, reinforcing the rural spirit of the property.
Though the house has evolved to suit the needs of different generations, it retains a strong sense of place—deeply connected to the land and to the history of southwestern Chester County. Period Architecture’s recent renovation and sympathetic addition, constructed by Steven Bukata, continues that tradition, with thoughtful improvements that honor the character of the home and introduce elements for contemporary living. The Longwood Residence is not only a quintessential example of traditional Pennsylvania farmhouse architecture; it is also a home that honors its past while continuing to write its own story in the present.
While many architects design within the bounds of tradition, Sir Edwin Lutyens redefined them—leaving behind a language of design that feels both time-honored and entirely new. Renowned for his versatility and profound mastery, Lutyens’ work is an intricate blend of tradition, craftsmanship, and creative experimentation. His projects spanned a diverse range, including grand estates, bridges, churches, memorials, and even city planning. Yet his most enduring legacy lies in the English country house, a form he helped to elevate into something mythic. To walk through the English countryside is, in many places, to brush up against the legacy of Sir Edwin Lutyens—often concealed just beyond the hedgerows.
“Surely the greatest British architect of the twentieth (or of any other) century,” as historian Gavin Stamp once wrote, Lutyens was both a traditionalist and a trailblazer—an artist who adapted classical principles to suit modern sensibilities, all while remaining deeply connected to the natural environment. His vast portfolio and willingness to break convention make him one of the most prolific and influential architects in history. In the story of British architecture, Lutyens emerges not as a footnote, but as a chapter all his own.
The historic Great Dixter house, designed by Sir Edwin Lutyens, is nestled among lush, vibrant English gardens, blending 15th-century timber structures with his Arts & Crafts additions for timeless appeal.
THE HISTORY OF SIR EDWIN LUTYENS
Born in 1869 in Kensington, London, to a family of artistic and intellectual bent, Lutyens had an unconventional path to becoming an architect. Raised in the picturesque village of Thursley, Sussex, Lutyens developed a love for rural England, an aesthetic that would define much of his later work. His early education briefly took him to the South Kensington School of Art, though he was largely self-taught. His tendency to work outside of academic structures would become a hallmark of his career, as he developed his unique approach to design and architectural thinking.
Lutyens opened his own practice at the age of 19 in 1888, a time when the Arts & Crafts movement was beginning to reshape British architecture. This movement, championed by figures like William Morris and John Ruskin, sought to reconnect art with craftsmanship and return to natural, handmade forms in opposition to the mechanized mass-production of the Industrial Revolution. Although Lutyens was a latecomer to the movement, his partnership with horticulturist and garden designer Gertrude Jekyll would solidify his place in this ethos.
Their collaboration on country houses was revolutionary. Together, they established the idea that gardens were not mere adornments, but integral outdoor rooms that complemented the architecture. This philosophy allowed Lutyens to blur the lines between architecture and nature, creating seamless transitions from indoor to outdoor spaces—an enduring principle even in today’s architectural ethos.
The formal garden at Hestercombe, a masterful collaboration between Lutyens and garden designer Gertrude Jekyll, showcases their signature blend of classical structure and romantic planting. Photo by Christine G. H. Franck
Though his early work was rooted in the Surrey vernacular—a traditional local style of construction—Lutyens would quickly evolve, experimenting with form, massing, and design principles that were both innovative and timeless. His journey through various styles, from the Arts & Crafts movement to later forays into classical architecture, was a reflection of his evolving view of what architecture could—and should—be.
Though best known for his work in Britain, Ireland, and Scotland, Lutyens also undertook a select number of international commissions. In the United States, he designed the British Embassy in Washington, D.C., blending the English Georgian style with subtle nods to American Colonial architecture. In India, Lutyens planned and designed a neighborhood in New Delhi, commonly referred to as Lutyens’ Delhi. Within this area lies the Lutyens Bungalow Zone, a 6,900-acre district that houses residences for government ministers, officials, and their administrative offices.
Greywalls, designed by Lutyens in 1901, is one of the architect’s two designs in Scotland. This elegant Edwardian country house features a symmetrical Arts and Crafts facade and is framed by formal gardens laid out in harmony with the architecture. Photo by Christine G. H. Franck
HALLMARKS OF LUTYENS ARCHITECTURE
Lutyens once described architecture as “building with wit,” and this philosophy can be seen throughout his body of work. His designs are characterized by a unique blend of styles and a combination of functionality, artistry, and a deep respect for local traditions. At the core of Lutyens’ approach was his belief in craftsmanship, rooted in the Arts & Crafts movement but also infused with a classical sensibility. Here are some of the key hallmarks of Lutyens’ architectural style:
VERTICALITY & GABLES
Lutyens was particularly fond of tall, steeply pitched gables, which were often used to create a sense of verticality in his designs. The exaggerated height of these gables, frequently paired in overlapping formations, imparted a dynamic energy to his country houses, drawing the eye upward and contributing to a dramatic, skyward silhouette. The roofs often became the defining characteristic of the structure, accentuating the home’s presence in the landscape. His mastery of these forms is especially evident at Munstead Wood, an early and celebrated project that also marked the beginning of his enduring partnership with Jekyll.
Abbotswood is an early 20th-century country house in Gloucestershire that exemplifies Lutyens’ adaptation of traditional Cotswold architecture. Its prominent gables and stonework echo local vernacular style; all set within expansive gardens that reflect his refined sense of proportion and balance. Photo by Christine G. H. Franck
These gables were often designed with narrow bases, which, in turn, resulted in a somewhat compact floor plan beneath. This deliberate play between mass and space created a visual tension that is both striking and intimate. The height and form of the gables also conveyed a sense of permanence and timelessness, central to the English country house tradition.
Period Architecture’s Berkeley Addition in Westover Hills, Delaware, thoughtfully echoes Lutyens’ use of verticality and steeply pitched gables, creating a roofline that draws the eye upward and creates a striking silhouette.
NATURAL MATERIALS & INFLUENCES
Lutyens’ commitment to using local materials was both practical and philosophical. His designs were deeply rooted in the land they inhabited, ensuring that the structures were harmoniously integrated into their surroundings. This approach was especially evident in the stonework of his homes. One of the most famous examples is his use of the chalky local stone called “clunch” at Marsh Court—a material that, while striking for its white hue, is also prone to erosion. This choice reflected Lutyens’ belief that buildings should age gracefully and appear as if they had grown organically out of their environment.
Marsh Court, completed in 1904, is one of Lutyens’ most inventive works—its white chalk and flint walls are offset by tall, red brick chimneys and sweeping pitched tile roofs, all set within terraced gardens designed with Gertrude Jekyll. Image from The Courtauld Gallery
Other materials that Lutyens frequently used included local brick, oak, and flint, along with clay and red-tile roofs. These materials were not chosen out of convenience, but because they spoke to the spirit of the land and tradition they embodied. The rustic simplicity of these materials gave his buildings a timeless quality, allowing them to blend seamlessly into the natural landscape.
The Enchanted Valley Cottage by Period Architecture draws inspiration from Lutyens’ country houses, with its steeply pitched roofs, varied massing, and playful symmetry. The rich material palette and sculptural roofline echo Lutyens’ hallmark blend of romanticism and restraint.
WINDOW TRIM & SURROUNDS
Lutyens’ treatment of windows was one of his signature techniques. He often framed windows with stone surrounds, oak mullions, or metal detailing, making them feel more like openings to the landscape than mere functional elements. Ribbon windows, in particular, were a signature design feature. These long, horizontal windows wrapped around the corners of buildings, extending across entire bays and giving the interiors a lightness and transparency that was unusual for the time.
Designed in 1897, Berrydown Court is a refined early work by Lutyens. Its low sheltering roofline, massive gables, and large chimney stacks are balanced by ribbons of glass, revealing his emerging master of proportion and vernacular form. Photo by Christine G. H. Franck
Coupled windows—windows paired with doors, sharing the same mullions—were another hallmark of Lutyens’ style, especially in his country houses. This design technique not only allowed for a seamless transition from the interior to the exterior but also emphasized his philosophy that the building should feel like a natural extension of its environment.
The 1925 Assisi Residence renovation channels Lutyens’ signature blend of traditional English charm and Arts and Crafts style, with its thoughtful use of materials and asymmetry. Its windows, framed with stone and oak mullions and featuring horizontal ribbons, create a seamless connection to the landscape, reflecting Lutyens’ signature approach to light, transparency, and indoor-outdoor flow.
RETURN TO ORGANIC DESIGN
Lutyens’ adherence to organic design came at a time when industrialization was beginning to dominate the construction industry. In stark contrast to the mass-produced, uniform structures of the Victorian era, Lutyens’ work celebrated individuality and craftsmanship that took inspiration from local building traditions. His homes were not simply designed to be functional but were created as works of art, with each detail carefully considered, from the joinery to the ironwork.
Lutyens’ Folly Farm in Sulhamstead showcases his blend of William and Mary elegance and Arts and Craft vernacular. His 1906 and 1912 extensions, complemented by Gertrude Jekyll’s gardens, transformed a modest 17th-century cottage into an inviting country estate. Photo by Christine G. H. Franck
The architect’s roofs, often inspired by thatched forms, embodied an organic aesthetic that blended seamlessly with the landscape. Lutyens often used deep eaves in his residential designs, both for their practical benefits and their aesthetic contribution to the building’s proportions. In many of his country houses, these overhanging roofs helped to visually anchor the structures within the landscape, reinforcing a sense of harmony between the architecture and its natural surroundings.
The White Marsh Residence in Blue Bell by Period Architecture reflects Lutyens’ ability to balance classical proportions with timeless elegance. Deep eaves and a thoughtfully designed garden courtyard complement the architecture, capturing the enduring essence of his style.
STRIPPED-DOWN CLASSICISM
While Lutyens was deeply influenced by classical architecture—respecting its principles of proportion, symmetry, and rhythm—he did not strictly adhere to these rules. Instead, he stripped classical forms of their extraneous ornamentation, creating a simpler, more refined interpretation of classical elegance. The proportions remained rooted in tradition, but the visual language was quieter, more restrained.
Millmead House, designed by Lutyens in 1904, exudes early Georgian elegance. Its balanced proportions, intricate brickwork, and thoughtful integration with Jekyll’s gardens exemplify Lutyens’ undeniable mastery. Photo by Christine G. H. Franck
This approach allowed Lutyens to bridge the gap between historical reverence and modern sensibilities. By reducing decorative excess, he heightened the impact of form and structure, letting scale, massing, and allowed detailing to speak for itself. The result was a style that felt both grounded and progressive—sophisticated in its restraint and enduring in its appeal.
Designed by Period Architecture, the English Georgian Residence reflects Lutyens’ influence through its classical proportions, refined detailing, and integration with the landscape.
LUTYENS-INSPIRED DESIGNS BY PERIOD ARCHITECTURE
While Lutyens’ direct influence is most prominent in the British countryside, his design language has had a lasting impact across the globe. Even in the United States, Lutyens-inspired projects continue to echo his principles of natural materials, timeless forms, and organic connections to the landscape.
ENGLISH COUNTRY HOUSE – GREENVILLE, DELAWARE
This residence in Greenville, Delaware, stands as a testament to Lutyens’ enduring legacy. Modeled after the grand country estates of England, this home adopts many of the architectural elements that Lutyens made famous: steep gabled roofs, stone façades, and an expansive landscape. The use of local stone and wood, along with sweeping windows and deeply pitched roofs, create a house that feels deeply rooted in both the landscape and the architectural traditions of the English countryside.
TRIPLE GABLE ARTS & CRAFTS – WEST CHESTER, PENNSYLVANIA
In West Chester, Pennsylvania, a new home takes inspiration from the English Arts & Crafts tradition, specifically Lutyens’ interpretation of the style. This home incorporates a triple-gable roofline, with brick and timber accents adding texture and warmth. A circular stair tower and formal lawns evoke the organic, artistic spirit of Lutyens’ designs, while a pool terrace and stepped garden provide an outdoor sanctuary that echoes his harmonious relationship between architecture and nature.
Lutyens’ influence transcends time and geography, leaving behind a legacy of architectural elegance that continues to inspire. His ability to merge traditional forms with new ideas, his respect for nature, and his commitment to craftsmanship have solidified his place as one of the greatest architects of his time and beyond. Rooted in England but echoed around the world, Lutyens’ works continue to be admired, celebrated, and, perhaps most importantly, built upon by generations of architects to come.
Situated at the southern tip of New Jersey, Cape May is a gem of American history and architecture. Known for its charming streets and well-preserved buildings, this picturesque town offers a window into a bygone era, earning its status as a National Historic Landmark in 1976. Cape May’s historic district is celebrated for its impressive collection of over 600 late 18th- and 19th-century frame buildings. Let’s delve into the fascinating history of Cape May, its architectural evolution, and the distinctive Victorian style that defines much of its charm.
A row of charming Victorian-style homes, typical of Cape May’s distinct architectural style, stand sentinel along a tree-lined street.
FROM WHALING VILLAGE TO SEASIDE RESORT
Cape May’s story begins in the early 17th century, when it emerged as a small whaling and fishing village. Its location along the Atlantic coast provided a rich bounty of marine resources, while a seemingly endless supply of lumber from nearby forests allowed for a thriving community of skilled carpenters. These carpenters laid the foundation for Cape May’s future, constructing simple yet sturdy homes and businesses that would evolve with the town’s successes.
As the Industrial Age progressed, Cape May transformed dramatically. The town attracted prominent families who sought respite from urban life. They brought with them the desire to build grand wooden mansions by the sea, establishing Cape May as “America’s first seaside resort.” This period of prosperity brought a surge of architectural innovation.
However, in 1878, disaster struck. A devastating fire swept through Cape May, consuming roughly half of the town, or about 35 acres. The destruction was extensive, but it also paved the way for a new chapter in Cape May’s architectural history. In the wake of the fire, property owners rebuilt their homes in the modern styles of the day, including the increasingly popular Victorian style. This reconstruction not only reshaped Cape May’s landscape, but also solidified its reputation as a hub of architectural splendor.
The 1892 Coastal Cottage in Cape May, NJ was meticulously renovated by Period Architecture to capture the beauty of Victorian historical style and made modern for today’s lifestyle. The grand porch—a feature that has come to define the architecture of this region—welcomes gathering outside to enjoy the sea breezes and passersby.
THE VICTORIAN ERA: A DEFINITION
The Victorian era, named after Queen Victoria of Great Britain, spans from her ascension to the throne in 1837 until her death in 1901. This period is characterized by a range of architectural styles that reflect the eclectic tastes of the time. In Cape May, Victorian architecture is a defining feature, showcasing a variety of styles that emerged during this vibrant period.
STYLES WITHIN THE VICTORIAN UMBRELLA
Gothic Revival: Inspired by medieval Gothic architecture, this style features pointed arches, steeply pitched roofs, and intricate woodwork. It often evokes a sense of grandeur and nostalgia for a romanticized past.
Italianate: With its origins in the Italian Renaissance, this style is known for its broad eaves, decorative brackets, and tall, narrow windows. It evokes a sense of elegance and sophistication.
Second Empire: Named after the French Second Empire, this style is distinguished by its mansard roof, which allows for additional living space in the attic. It often features ornate details and a strong vertical emphasis.
Stick-Eastlake: This style is notable for its exposed wooden framework and intricate ornamentation, including elaborate millwork and decorative trim.
Queen Anne: Perhaps the most recognizable Victorian style, Queen Anne architecture is known for its asymmetrical facades, decorative gables, and use of various textures and materials.
CHARACTERISTICS OF VICTORIAN ARCHITECTURE
Victorian architecture, particularly in Cape May, is renowned for its distinctive features, many of which contribute to the town’s unique charm:
Vertical silhouettes: Victorian buildings often boast a vertical emphasis, with tall, narrow proportions that draw the eye upward. This design choice enhances the grandeur and elegance of the structures.
Prominent porches: Expansive porches are a hallmark of Victorian homes, providing space for social gatherings and relaxation. These porches are frequently adorned with decorative elements such as intricate railings and ornate columns.
Tall and narrow arched windows: Arched windows are a common feature in Victorian architecture, adding to the verticality of the design and allowing for an abundance of natural light.
Elaborate decorative millwork: Victorian homes are celebrated for their elaborate woodwork, including intricately carved trim, decorative brackets, and detailed moldings. This millwork often reflects the craftsmanship and attention to detail characteristic of the era.
Dormers, bays, and towers/turrets: Victorian architecture frequently incorporates dormers, bay windows, and towers or turrets, which add visual interest and complexity to the building’s silhouette. These features contribute to the distinctive and varied rooflines that define Victorian structures.
SERVING CAPE MAY’S LEGACY
A stroll through Cape May’s Historic District feels like stepping back in time. Visitors can marvel at the intricately designed facades, vibrant colors, and unique architectural details that make each home a masterpiece. Stephen Decatur Button was a notable shore architect designing over 40 buildings in Cape May’s history. His Cape May designs spanned from the 1860s through the 1890s and are known for their Renaissance Revival elements. The City of Cape May is committed to preserving its architectural heritage. The Cape May Historic Preservation Commission has established design standards to guide renovations and new construction, ensuring that the historic character of the district is maintained. These guidelines help protect the town’s unique architectural identity while allowing for thoughtful updates that respect the original styles.
Period Architecture is a team of committed architects with a growing body of work in the shore region. As continued practitioners of our craft, we are inspired by Cape May architecture and are honored to be among the New Jersey architects of the present and the past to help steward and safeguard its rich history for the future. The city’s journey from a humble fishing village to a renowned seaside resort is reflected in the stunning Victorian homes that line its streets. Each structure tells a story of resilience, artistry, and a love for the seaside that continues to draw visitors from near and far. As Cape May moves forward, its commitment to preserving this storied architectural heritage ensures that many generations to come will continue to enjoy the longstanding and renowned splendor of its historic district.
We are proud to announce the promotions of Jessica Fogle, Associate AIA & LEED AP, to Principal & Marketing Director and Michael Stonikinis, RA, to Associate Principal, marking an exciting chapter of growth and leadership within the firm.
Jessica Fogle joined Period Architecture in 2013 with a passion for designing bespoke homes that blend artistry, functionality, and regional architectural influences. As Principal, Jessica will continue to guide the design of complex custom homes and renovations, oversee the firm’s Doylestown office, and lead the creative direction of the marketing team. With her intuitive approach to composition and her ability to translate clients’ dreams into comprehensive and elegant designs, Jessica has been instrumental in elevating the firm’s presence in Bucks County and beyond. Her technical expertise and artistic sensibility have made her a trusted leader and mentor within the firm.
In his three years with the firm, Michael Stonikinis has brought a dynamic vision to Period Architecture’s creative direction, ensuring each project resonates with a strong sense of context and cohesion. As Associate Principal, Michael will continue to provide mentorship, foster team growth, and uphold the firm’s dedication to thoughtful, innovative, and historically grounded design. His ability to honor architectural heritage while encouraging fresh, innovative solutions has earned him recognition both within the firm and across the industry. Michael’s leadership and dedication to architectural excellence will play a pivotal role in shaping the firm’s future endeavors.
The promotions of Jessica and Michael coincide with the expansion of our Doylestown office. Located in the heart of town above Main Street Marketplace, we have expanded into additional office space to accommodate our growing team and enhance collaboration. This expansion underscores Period Architecture’s commitment to serving clients with exceptional design and reinforces our roots in the community.
To support this growth, we are currently welcoming applications for Project Architect roles. Period Architecture offers an environment that values creativity, collaboration, and professional development, providing team members with the opportunity to contribute to meaningful and contextually rich projects.
Jessica and Michael’s promotions highlight the firm’s dedication to nurturing talent from within while continuing to build on the firm’s legacy of crafting timeless and inspired designs. Their leadership reflects our dedication to design excellence, collaboration, and respect for tradition.
When envisioning an estate, many focus on expansive homes, lush lawns, and lavish pools. Yet behind every timeless property lies thoughtful planning—an intricate balance of design, functionality, and future adaptability. At Period Architecture, we believe in creating places that reflect the owners’ visions, enhance their lifestyles, and provide enduring value. Our architectural estate planning process integrates site considerations, the family’s unique needs, and the beauty of the landscape, crafting a cohesive, lasting legacy.
THE MASTER PLANNING PROCESS: A HOLISTIC APPROACH
The master planning of an estate begins with a deep understanding of the site and its potential. While an open plot of land might initially seem like a blank slate, it’s essential to account for a multitude of factors before any construction begins. Partner Jeff Dolan emphasizes, “An estate isn’t just a place to live—it’s an investment in a lifestyle. Our job is to think about how the land and buildings can serve the owners now and in the future, allowing flexibility as the estate evolves over time.”
Considerations like solar orientation, seasonal weather, wind direction, and topography impact the positioning of buildings for comfort, energy efficiency, and connection to the surrounding natural environment (much in the way of influential Pennsylvania architect Walter K. Durham): some estates benefit from being nestled into the landscape (à la architectural artist and master builder R. Brognard Okie), while others—such as waterfront homes—are designed to take advantage of sweeping views. The land’s setbacks and easements are also carefully considered.
Privacy is another consideration—both externally, by defining property bounds, and internally, by creating distinct zones for different activities. Early discussions often focus on the experience of entering the estate: how the driveway curves to reveal the house, the view upon arrival, and the sequence of how the property and landscape unfold. Toward the back of the property, we focus on creating intimate spaces for family, such as terraces, pools, outdoor dining areas, and open lawns for children and pets to play.
Beyond immediate needs, we consider the future: new structures or evolving family interests. For example, garden spaces, farmhouses, or areas for hobbies can all be integrated into the design, allowing the estate to grow and change as the family does.
BUCKS COUNTY ESTATE: LONGVIEW TERRACE
One example of our approach is the Longview Terrace Estate in Bucks County. The design took full advantage of the site’s southern views, integrating new and existing structures across the gently sloping landscape. The estate includes a main house, car barn, garage, cottage, studio, and entertainment barn, all positioned to enhance both functionality and aesthetic beauty.
The bank barn design includes a timber-framed structure with a chef’s kitchen and dining areas for entertaining, as well as a lower level featuring entertainment options like a golf simulator and wet bar (dive deeper with us into The Art of the Barn). The estate is also designed to host multiple generations, with a renovated cottage providing guest accommodations.
The design of this Bucks County Estate took into account the site’s topography and sweeping vistas to capitalize on the land’s natural beauty.
“True architectural planning goes beyond aesthetics, explains Principal Jessica Fogle. “It’s about designing spaces that harmonize with the land, capture the natural light, and evolve with the needs of the family—today and for generations to come.”
MASTER PLAN AT PLUMSOCK FARM
Another memorable master plan is Plumsock Farm, a reimagined farmstead that blends tradition with modernity. The design incorporates a stone farmhouse, recreational bank barn, pool house, and gazebo, all while maintaining the classic Pennsylvania farm style. The layout centers around its surrounding meadows, with a tree-lined driveway creating an inviting approach.
In the main residence, large expanses of glass maximize views of the southeastern part of the property. A three-car garage is seamlessly connected to the farmhouse via a porte-cochère that provides a seamless transition between spaces. The mudroom includes a “dog retreat” room, underscoring the estate’s focus on family, including pets. The stone bank barn serves dual purposes: the upper level is dedicated to family gatherings, while the lower level supports equestrian activities.
Plumsock Farm blends tradition with modernity, creating an estate that will both stand the test of time and always feel perfectly placed in both time and geography.
As Project Architect Kyle Gresh explains, “Each structure at Plumsock Farm was designed with the future in mind, ensuring they can grow with the family and adapt to their evolving needs, while still reflecting the property’s rural heritage.”
DIVERSE ESTATES WITH PERSONALIZED DESIGN
Our portfolio also includes several other architectural properties, each with its own unique approach to design and planning. These projects demonstrate the versatility and creativity we bring to each new challenge.
HILLVIEW RESIDENCE IN WILLISTOWN
Featuring an entertainment barn, this design maximizes the connection between the home and outdoor spaces.
CHIMNEY HILL RESIDENCE IN WEST CHESTER
Designed for intimate gatherings, this home includes a party barn, making it the ideal setting for family celebrations.
MAIN LINE MANOR HOUSE IN VILLANOVA
This residence was carefully designed to seamlessly integrate indoor and outdoor living, with exterior spaces that draw both the family and their guests outside and frame the natural beauty of the surrounding landscape.
By taking a holistic approach to architectural estate planning, we ensure that these homes not only meet the needs of today but stand the test of time.
A LEGACY FOR GENERATIONS
At Period Architecture, we believe that estate planning is about more than designing a beautiful home—it’s about creating a legacy. Whether it’s a sprawling family compound, a rural retreat, or a modern farmstead, we work closely with clients to craft architectural designs that reflect their values, enhance their lifestyle, and adapt to their changing needs over generations.
Like the lunar pull on the ocean tides, so too are humans endlessly pulled to life on the water. Throughout history, humans have built homes on serene lakefronts, atop the banks of rushing rivers, and along sandy seashores. Whether it’s the sound of lapping waves, the briny smell of an ocean breeze, or the breathtaking views, life on the water has universal appeal.
WHY WE LIVE ALONG THE WATER
Waterfront living offers a unique blend of both tranquility and vitality. Water is simultaneously calming and ever-changing—with the seasons, the tides, and even the time of day. But it’s not just about aesthetics, it’s about a lifestyle—one that feels deeply rooted in and connected to nature, a grounding force that provides much-needed respite in our restless modern society. From swimming, boating, and fishing, to beachcombing and leisurely strolls, water provides a bounty of recreational activities and a stunning backdrop against which one’s life can play out.
The psychological benefits of life on the water are also well documented. Numerous studies suggest that proximity to water reduces stress, boosts cognitive function, improves mood, sleep patterns, and immunity, and positively impacts physical fitness by encouraging an active lifestyle. It’s no wonder that waterfront properties are a coveted dream for many.
ARCHITECTURAL STYLES ASSOCIATED WITH WATERFRONT LIVING
Often reflecting the desire to harmonize with their natural surroundings, the architectural styles of waterfront living take advantage of the myriad aesthetic benefits while offering practical solutions to the unique challenges of these locales. Here are some prominent styles of life on the water:
BRITISH WEST INDIES
Capturing the elegance and practicality of Caribbean colonial architecture, British West Indies style is characterized by its use of symmetry, high ceilings, and ample cross-ventilation—all of which are essential elements for comfort in a tropical climate. Large windows and open spaces facilitate a seamless connection between indoor and outdoor living, allowing homeowners to enjoy the beauty of their surroundings while staying cool. Key features include:
Symmetry and proportion: British West Indies architecture often adheres to classical principles, with balanced facades and harmonious proportions.
High ceilings: High ceilings not only allow a space to breathe, but most importantly, they aid in air circulation to keep interiors cool.
Cross-ventilation: Large, strategically placed windows and verandas encourage air flow and reduce reliance on air conditioning.
Stucco walls: Stucco provides a durable and weather-resistant exterior that is well-suited to the elements of harsh coastal environments.
Classical Palladian influences: Elements such as columns and arches add a touch of grandeur to the design of these stunning structures.
The Ocean Reef Club Residence in Key Largo exemplifies the British West Indies style, with its elegant proportions and emphasis on both luxury and functionality. Similarly, the Key Largo Coastal Retreat on Angelfish Key showcases how British West Indies architecture takes advantage of its tropical surroundings while providing a sophisticated and contemporary living space.
CRAFTSMAN
Inspired by the British Arts & Crafts movement, the Craftsman style is an American architectural tradition that emerged at the turn of the 20th century. The style emerged as a reaction to the mass production of the Industrial Revolution; as such, it emphasizes simplicity, the beauty of natural materials, the artistry of handcrafted detail, and manual construction. Key features include:
Gable roofs: These distinct, triangular roofs provide a classic look while also aiding in water drainage.
Overhanging eaves: Often paired with exposed rafters and beams, overhanging eaves protect the home from the elements and enhance its visual appeal.
Front porches: A hallmark of Craftsman homes, the porch serves as a welcoming transitional space and turns the outdoors into liveable square footage.
Natural materials: These homes employ an extensive use of wood and stone, often featuring handcrafted details and built-in furniture, such as benches and bookcases.
The North East Riverfront Residence captures the essence of Craftsman design with its emphasis on natural materials and integration with the surrounding landscape. The Eastern Shore Retreat, still in the design phase, promises to continue this tradition by blending practical design with the captivating beauty of its waterfront location.
COTTAGE
The Cottage style evokes a sense of quaintness and simplicity characteristic of rural retreats and the English countryside. Originating in Medieval Europe, this style has evolved to embody comfort and charm, and is most often associated with smaller, more intimate settings. Key features include:
Steep, gabled roofs: Gabled roofs—originally thatched—provide a cozy, rustic appearance and help with snow and rain runoff.
Large chimneys: Typically a central feature of these inviting homes, large chimneys add to the cottage’s charm and provide a welcoming focal point.
Covered porches: Serving as an extension of the structure’s living space, covered porches are a quintessential feature of Cottage-style homes.
Small windows and closed-off rooms: These features reflect the traditional use of space, creating a homey and snug atmosphere.
The Greenville Cottage is an archetypal example of Cottage style, with its sharply gabled roof and charming facade. Deceptive in its design, this residence looks more compact than it is; inside is a home that is spacious and highly functional. Also pictured here, the Cape May House (not yet featured on our website) embodies the classic Cottage style, where what it lacks in footprint is made up in spades with cozy character and appeal.
SHINGLE
Shingle style emerged in the late 19th century and is known for its emphasis on irregular, often complex forms and textures. It is particularly well-suited to coastal environments due to its adaptability and use of materials that weather gracefully. Key features include:
Multi-gabled roofs: Typically irregular or gambrel in shape, Shingle-style roofs give these structures their distinctive look.
Wood shingle siding: Wood shingles lend this style its name; as they age in the salty air, the shingles provide a unique look and texture that only enhances and deepens the home’s rustic charm.
Expansive porches: Often wrap-around, these porches provide plenty of perches from which one can take in the scenic panoramic views.
Asymmetrical facades: This style breaks from traditional symmetry, creating a more dynamic and casual appearance than other architectural styles.
Heavy foundations: Often built with stone or brick, these foundations provide stability and a solid base for the structure.
Complex floor plans: An informal living environment is created by non-symmetrical layouts with multiple levels and interconnected spaces.
The Crossways Stone and Shingle Manor illustrates this style’s grandeur and complexity, integrating extensive shingle siding with a robust stone foundation. The New Summer Cottage takes on the regional vernacular Cape Cod Shingle style while offering a distinctive architectural presence. With its asymmetrical layout and multi-paned windows, the Shingle Style Renovation in Wayne (pictured below, not yet on our website) is an archetypical example of this distinct form.
BRIEF HISTORY OF ARCHITECTURALLY SIGNIFICANT WATERFRONT TOWNS
Several towns readily come to mind when considering the architectural heritage of the waterfront lifestyle:
Cape May: This coastal New Jersey town is renowned for its well-preserved Victorian architecture and its status as a premier example of 19th-century seaside resorts. Located at the state’s southern tip, Cape May’s historic district is celebrated for its charming, ornate homes and buildings, which attract visitors seeking a glimpse into a bygone era of American coastal elegance. The homes and inns that dot the shore have withstood the test of time and the harsh ocean elements, reflecting a deep understanding of local conditions.
Annapolis: Celebrated for its colonial charm and maritime heritage, Annapolis’ architectural significance is deeply tied to its history as a major port and a center of political activity in early American history. The capital of Maryland, Annapolis features structures that were built to endure—its historic district remains a testament to sustainable and resilient waterfront design.
Cape Cod: Cape Cod is an iconic region known for its distinct architectural style that emerged in the late 19th and early 20th centuries, and is characterized by its use of natural materials and its adaptation to the challenging oceanside environment. With its iconic Shingle-style homes, Cape Cod exemplifies how traditional architectural styles can adapt to and withstand harsh conditions. The region’s architecture reflects a blend of practicality and aesthetic charm, tailored to its alluring landscape.
Charleston: This South Carolina destination is celebrated for its well-preserved historic homes and buildings. The city’s architecture showcases techniques developed to deal with the humid and often punishing coastal climate, ensuring durability and timeless appeal. Charleston is renowned for its historic preservation and its architecture, which reflects its rich past as a major port city and cultural center in the American South.
These towns were built with an intimate knowledge of and profound respect for their environments, utilizing materials and designs that complement their waterfront settings. As newer towns grapple with environmental challenges, these historic places stand as models of enduring architectural wisdom.
Waterfront living is deeply rooted in a blend of natural beauty, psychological comfort, and architectural ingenuity—and its style is as varied as the landscapes it graces. But one constant remains: humans have forever been—and forever will be—drawn to life by the water.
While Richardson Brognard Okie was undoubtedly influential in perfecting the traditional Pennsylvania farmhouse home, Walter K. Durham arguably left the biggest architectural footprint in the suburbs of Philadelphia.
Durham was responsible for building or altering well over 200 individual residences along Philadelphia’s Main Line. Not tied to a single style, his enchanting houses ranged from French Normandy, Georgian Revival, and Welsh farmhouse to Mediterranean and mid-century ranch. He defied categorization with his agile understanding of such a wide array of architectural styles.
What does define Durham, however, is his allegiance to evolve with the times, adjusting to ever-changing needs and tastes while adhering steadfastly to elements he considered essential: light, views, connection to the natural environment, and the uniqueness of each dwelling. These are surprising design requirements for a man who would gain recognition as part of a neighborhood development team, but that is just another unexpected part of Durham’s story.
THE HISTORY AND EVOLUTION OF WALTER K. DURHAM
Walter Durham (1896-1978) was an architect, developer, and builder who created custom homes for notable families in Lower Merion Township from the 1920s through the 1960s. He became known for adopting Old World and Colonial styles to create classic-looking homes while incorporating modern interior comforts and conveniences.
Born in Germantown, Pennsylvania, Durham graduated from Girard College and studied mechanical engineering and architecture at Drexel University, then known as Drexel Institute. He served in the Navy during World War I before entering the workforce as a draftsman. In 1926, he met James Irvine, a financier who was looking to develop tracts of land outside Philadelphia on the Main Line, which took its name from the former Pennsylvania Railroad line.
At the time, large country estates originally built on the Main Line as summer escapes for prominent Philadelphia families were being partitioned. As the city grew and the demand for land increased, many people began to eye the area just outside the city as a better option for year-round living. Large estates were eventually sold and broken into groups of smaller parcels.
Durham liked Irvine’s development plan and the two formed a partnership, with Irvine obtaining the land and providing the financing and Durham serving as architect, parcel designer, and builder. Over the next 16 years, they became the western Main Line’s leading architecture and development firm.
When Irvine was called to serve in World War II, Durham struck out on his own. In the years following the war, changes in lifestyle affected residential design. The introduction of new building technologies and materials, a more prosperous American public, and a rapidly growing population each contributed to new client goals and interests. Durham was quick to adjust, and his work began to incorporate more open spaces, family rooms, inside-outside living, and modernist architecture.
HALLMARKS OF A DURHAM HOUSE
While Durham’s portfolio includes an array of architectural styles, and his work evolved to adapt to changing lifestyles over the course of his career, some characteristics are constant. All of his homes exude a sense of timelessness. He believed it imperative for a house to be customized to suit its owner’s individual needs and that local tradition and the natural environment be respected and incorporated into its design.
Durham and his principles stand in stark contrast to modern day developers. Because he was a resident of the community he was developing, he respected the land and built sympathetically with local materials and traditional methods.
LIGHT & VIEWS
Central to any Durham home is the light coming in and the views looking out. So important were these two elements that sightlines were tested before construction started by using temporary platforms. Durham is known for his “see-through houses” in which views of backyard gardens were prioritized and high ceilings created grand living spaces for entertaining guests. Windows were typically designed as long sections to allow the most amount of light to enter the space. The result is an elegant and open interior, brightened by natural sunlight, which feels connected to the surrounding landscape.
Facing south to allow the maximum amount of light into the formal dining room at the 1925 Walter Durham Residence in Villanova, a picture window frames views of the backyard garden, while French doors lead out to new flagstone terraces on either side.
NATURE & THE NATURAL ENVIRONMENT
Durham’s commitment to designing with views in mind reflects his personal connection with nature. He loved Lower Merion Township’s rolling hills, sparkling streams, and rich green foliage. He not only wanted homeowners to glimpse these glorious vistas through the many windows he included, but he also worked hard to preserve them. He would go out of his way to manipulate driveways, street accesses, and building sites to accommodate the natural environment and leave it asundisturbed as possible.
When designing this Villanova manor in 1925, Walter Durham was highly conscious of the mature oak trees and existing rock formations throughout the property. Instead of removing these natural elements during construction, Durham preserved and integrated them into the final design.
PRIVACY & QUIET
Durham considered undisturbed enjoyment of one’s home essential. Initially, this was not hard to achieve, as the subdivided former estates provided a substantial amount of property with each new home. But for developments that came later, when land was becoming scarce, peace and privacy required careful planning. To ensure homeowners had both, Durham positioned structures with maximum setbacks from streets and neighbors and utilized topography in a way that trees, foliage, and the natural grade of the land served as buffers to the external world.
A secret hideaway within its suburban landscape, the patio at the 1927 Historic District Residence in Wayne provides an intimate setting for garden parties, al fresco dinners, and outdoor gatherings.
A UNIQUE DESIGN EVERY TIME
Durham firmly believed that a house should stand on its own, with an individual identity unlike any other house, both aesthetically and functionally. Much like an architectural tailor, he designed bespoke homes for his clients, customized for their particular preferences, needs, and lifestyles.
At the intersection of two major paths of travel inside the Pennsylvania Provincial in Landenberg, personalized touches and custom detailing make this transitional space into a one-of-a-kind hub for connection.
LOCALLY CRAFTED & SALVAGED MATERIALS
As a resident of the area, Durham had great respect for its landscape, context, and history. He understood the values of the community and included historic local architectural standards in his design. He typically used locally sourced stone and reused salvaged building materials like bricks, beams, paving blocks, doors, mantels, and hardware.
During the comprehensive interior renovation and revitalization of the 1936 Walter Durham Residence in Bryn Mawr, the original cornice and doorway entablature in the formal entry was restored to its former glory.
DURHAM HOMES TODAY
Studying and understanding the local vernacular provides insight and sparks creativity in our team much in the same way it did for Durham. “What is inspiring about working on homes designed by Durham and other historical architects is the quality, creativity, and thoughtful design,” says Associate Principal, Hilary Mork.
“Durham designed and built homes using quality materials the way they were intended to be used,” she continues. “Walter Durham had the ability to work in many different styles and create homes in proportion and scale that range from country home estates to villages and cottages.”
Along with bringing consciousness of local tradition to our work, we are inspired by Durham’s methods in other ways. Similar to Durham’s driving forces, our designs focus on practical and impressive site lines, connection to the outdoors, and creating private spaces for families to enjoy. With inspiration from the architectural history of the region and respect for the surrounding landscape, we focus on integrating traditional details with modern lifestyle needs. We evolve with the times, but with allegiance to classic precedents. Like Durham, we work closely with homeowners to create unique spaces, tailored to their individual lifestyles. We are always looking for creative ways to solve design challenges, no matter the defined style or aesthetic.
DURHAM HOMES ADAPTED FOR TODAY
In addition to drawing inspiration from Durham’s design principles and methodology, we have had the opportunity to restore and revitalize several of his original homes. For a closer look, see two homes below which demonstrate examples of our Durham-inspired work.
1925 WALTER DURHAM RESIDENCE IN VILLANOVA
This mid-1920s Walter Durham residence received a whole home renovation that focused on highlighting the Main Line aesthetic for which Durham was renowned while updating the home for contemporary living. Notably, the main level was reconfigured to create an open kitchen and living area that flows through a more traditional layout. On the exterior, a new covered patio outfitted with the latest modern comforts now offers ample space to entertain and enjoy the outdoors all year-round.
1936 WALTER DURHAM RESIDENCE IN BRYN MAWR
Originally designed by Walter Durham in 1936, this Main Line residence is currently undergoing a complete interior restoration and redesign. Drawing inspiration from the formality and style of the existing ornamentation and detailing crafted by Durham, the renovated interiors will combine traditional millwork and period-appropriate details with modern features.